No time shifting. This is pretty much your kit as posted. Other than playing with colored icons, I didn't do much to it other than make some volume adjustments inside of Doggiebox.
As for hearing the kick in isolation... that would have been a great idea. The thing is, the post processing I applied was to the exported song, not to the individual sounds. I applied some eq that reduced the boominess of the kick in the exported song file. I also applied some limiting to that same file to "maximize" the file before building on it.
If I treat individual sounds (a great idea, just not one I've had time for yet) I'll be sure to share.
On Apr 11, 2005, at 12:10 PM, David Holloway wrote:
hey mike, nice work! i have a question... the snare hits seem to have that "behind the beat" feel. did you shift the snare time-wise at all? interesting effect.
also, if you could post you kick sound variant somewhere i'd love to hear it in isolation.
cheers, d.
On Apr 10, 2005, at 9:28 AM, Mike Carlyle wrote:
I find that, when I'm going for a simple, straight ahead, live sound, David Holloway's kit fits the bill perfectly.
It took me a while to figure out how to work with the boomy kick sound. I found that I need to follow a routine: Export the audio, open in Peak for pre-processing, apply a little eq and limiting to maximize the volume without peaking out, then save. That saved file is what I import into Cubase and build upon.
This is my second attempt at vocals. I was pushed into singing by some positive influences by my friends at the Fender Discussion Page. I'm still not entirely comfortable with my voice, but I guess it's better than waiting for my unreliable singer friend to show up.
http://webpages.charter.net/mcarlyle/images/flowchart.mp3 ____________ Mike Carlyle Wilbraham, MA USA
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____________ Mike Carlyle Wilbraham, MA USA