Hey folks,
Here's a Christmas- (or other choice holiday-) season gift for you all, at long last!
Changes in this build (1F2) since version 1.3.1 (1E15):
? Now a Universal Binary (will run natively on Intel-based Macs). Mac OS X 10.4 (Tiger) is now required. ? The framework for loading and saving sound file on disk has been replaced with entirely new code.
Known issues:
? Sound playback is inconsistent under Mac OS 10.5 (Leopard). ? Exporting to some file types (e.g. MP3) does not work properly.
Areas for testing:
Please make backup copies of your song and drum kit files before re- saving them with this version of Doggiebox, particularly if running on an Intel-based Mac. With this in mind, please test to make sure that files you create with this build still open and work properly in Doggiebox 1.3.1. Please also verify sound file importing and exporting and note any problems with compatibility of output files or the user interface.
Download at http://www.doggiebox.com/distribution/Doggiebox-1F2.zip
The move to Univeral Binary has meant increasing the minimum supported Mac OS version from 10.3 (Panther) to 10.4 (Tiger). This is a side effect of portability; put simply, the routines that Doggiebox has used since 1.0 for handling sound files (a library called libsndfile by Erik de Castro Lopo) is hard to build for both PowerPC and Intel without involving two physically different computers. Fortunately, starting in 10.4, the Mac OS has provided similar sound-file services. Thus I made the decision to retire libsndfile in favour of the OS-provided code. Aside from the Universal Binary build, this is the new major change in this build.
The playback problems under Leopard still persist for the moment, but I will be addressing those next.
I appreciate the words that several of you have sent to me and the list lately. As stated previously I've been busy juggling new opportunities recently but I do hope to become more involved again.
Happy holidays everybody!
-ben
On 17 Dec 2007, at 21:20 , Ben Kennedy wrote:
Here's a Christmas- (or other choice holiday-) season gift for you all, at long last!
Oh, any other gift will have a hard time beating this one! There's life in the old dog yet! :)
Please make backup copies of your song and drum kit files before re- saving them with this version of Doggiebox, particularly if running on an Intel-based Mac. With this in mind, please test to make sure that files you create with this build still open and work properly in Doggiebox 1.3.1. Please also verify sound file importing and exporting and note any problems with compatibility of output files or the user interface.
As it happens, just this past week I've just pulled out Doggiebox for for the first time in a awhile, the first recording project I've done since a recent transatlantic move, a kind of "folk metal" version of ye olde Scottish Border ballad "Twa Corbies".
I did out all the drums in DB and exported them to a basic stereo AIFF file while building up the rest of the song. Yesterday I went back and made multiple versions of the dbsong file, erasing all but a specific drum group (cymbals, hats, snares, toms, kicks) to give me 5 AIFFs for the different groups, so I could put them on different tracks and individually control levels, compression, etc.
I now face the challenge of learning how to do this -- never really having attempted it before :) -- but I'll reiterate the oft repeated observation that a feature to select a specific drum or group of drums for output direct from DB (without lots of tedious mucking about with the eraser) would be very cool. :)
But, having now downloaded the new beta, I'll back up my files and carry on with it from here! :)
The move to Univeral Binary has meant increasing the minimum supported Mac OS version from 10.3 (Panther) to 10.4 (Tiger). [...] The playback problems under Leopard still persist for the moment, but I will be addressing those next.
I'd already decided no way I'm moving to Leopard until Doggiebox is happy there. :)
I appreciate the words that several of you have sent to me and the list lately. As stated previously I've been busy juggling new opportunities recently but I do hope to become more involved again.
Rock on, Doggiebox! :)
Cheers, Carl
-- Carl Edlund Anderson http://www.carlaz.com/
On 21 Dec 2007, at 08:53 , Carl Edlund Anderson wrote:
As it happens, just this past week I've just pulled out Doggiebox for for the first time in a awhile, the first recording project I've done since a recent transatlantic move, a kind of "folk metal" version of ye olde Scottish Border ballad "Twa Corbies".
And here's a link to the first pass at this, replete with cheezy samples and wind, rain, and (of course) crows:
http://www.carlaz.com/music/Twa_Corbies.mp3
It's "folk", Jim, but not as we know it .... ;)
All drums by Doggiebox, of course! :)
Cheers, Carl
-- Carl Edlund Anderson http://www.carlaz.com/
Carl,
Finally got around to listening to this - FWIW - It passed the test I always use - I play the track and concentrate on the drum part. If I'm still listening to the drums and not the song after about a minute or so - you fail...
PS Cool cover art... (and crows)
On 22/12/2007, at 1:21 PM, Carl Edlund Anderson wrote:
On 21 Dec 2007, at 08:53 , Carl Edlund Anderson wrote:
As it happens, just this past week I've just pulled out Doggiebox for for the first time in a awhile, the first recording project I've done since a recent transatlantic move, a kind of "folk metal" version of ye olde Scottish Border ballad "Twa Corbies".
And here's a link to the first pass at this, replete with cheezy samples and wind, rain, and (of course) crows:
http://www.carlaz.com/music/Twa_Corbies.mp3
It's "folk", Jim, but not as we know it .... ;)
All drums by Doggiebox, of course! :)
Cheers, Carl
-- Carl Edlund Anderson http://www.carlaz.com/
Zygoat Doggiebox discussion list - <http://www.doggiebox.com> To unsubscribe, view archives or change your options: <http://lists.zygoat.ca/mailman/listinfo/doggiebox>
http://www.foolishu.com/sounds/Pheromone3.mp3
I don't think I've shared this one with the DB list yet. Forgive me if it's a repeat. The song linked above uses a Sonor kit who's origin I can't recall. It was written by my collaborator/lyricist/singer Kevin Crane, who does the vocals. I played all the instruments and had lots to do with the overall production (so can take either credit or blame).
I'm interested, as always, in feedback on the songwriting, production techniques, and the use of DB.
On 01 Jan 2008, at 15:19 , Michael Carlyle wrote:
http://www.foolishu.com/sounds/Pheromone3.mp3 I don't think I've shared this one with the DB list yet. Forgive me if it's a repeat.
Hadn't heard this one before, though like your other tracks posted to the DB list, it sounds _excellent_! Keeping that one in iTunes for sure :)
The song linked above uses a Sonor kit who's origin I can't recall. It was written by my collaborator/lyricist/singer Kevin Crane, who does the vocals. I played all the instruments and had lots to do with the overall production (so can take either credit or blame). I'm interested, as always, in feedback on the songwriting, production techniques, and the use of DB.
Only given a few listens, so I can't say much except that the drums sound very natural and the Sonor kit seems like a good fit to general vibe. Did you drop a stereo AIFF with all the drums right out of DB, or did you split things into different drum tracks?
Cheers, Carl
-- Carl Edlund Anderson http://www.carlaz.com/
Only given a few listens, so I can't say much except that the drums sound very natural and the Sonor kit seems like a good fit to general vibe. Did you drop a stereo AIFF with all the drums right out of DB, or did you split things into different drum tracks?
This is probably the only song I've done recently where I did NOT split drums onto different tracks. It's a lot of work to do that, and this one sounded OK without a lot of extra futzing around.
When I do split things up, I'm usually using the original NSKit. I stopped using the version 7 of that one because the toms sound wrong. Sort of "spitty" or "fizzy" on the attack. Splitting sounds, as you all know, is a hugely time consuming effort, and it's one of the last things I'll do. I want to make sure all tweaking is done beforehand, since it's virtually impossible to edit patterns without all the instruments in one song file.
I'll usually create just three files: Kick, Snare/toms, and cymbals. My logic is that much of compression and reverb that sounds good on snare also works well for toms. Kick is mostly dry, but requires different eq than everything else. Same for Cymbals.
Echoing your previous comments, the ability to isolate drums on export is the highest thing on my wish list at the moment.
Thanks for listening! We're working on more, too. Most of it seems like it will be in this country/rock/whatever sort of vein.
Mike
Nice production - the vocals are VG - a nice harmony going on there.
I always reckon that it helps having someone else singing. A common criticism of us amateurs is that we tend to bury our vocals deep in the mix (and cover them in reverb) - with me being one of the worse practitioners of this habit.
The guitar sound is excellent as well - overdrive not too over the top IMO.
The drums fit nicely - is the Sonar kit one that you knocked up?
Cheers
Charlie
On 02/01/2008, at 5:19 AM, Michael Carlyle wrote:
http://www.foolishu.com/sounds/Pheromone3.mp3
I don't think I've shared this one with the DB list yet. Forgive me if it's a repeat. The song linked above uses a Sonor kit who's origin I can't recall. It was written by my collaborator/lyricist/singer Kevin Crane, who does the vocals. I played all the instruments and had lots to do with the overall production (so can take either credit or blame).
I'm interested, as always, in feedback on the songwriting, production techniques, and the use of DB.
On 01 Jan 2008, at 02:44 , Charlie wrote:
Finally got around to listening to this - FWIW - It passed the test I always use - I play the track and concentrate on the drum part. If I'm still listening to the drums and not the song after about a minute or so - you fail...
Glad to know I got through that, especially given the drums don't start until about a minute in, and then take a break in the middle as well :)
BTW, there's an updated version online now: <http://www.carlaz.com/ music/Twa_Corbies.mp3>
Putting together the drum track was fun, since much of the song is in 3/4 with occasional trips to 2/4 or 4/4, and I don't really have many models for that sort of thing in heavy rock! There's no real chorus in the song either for obvious tricks like slipping from hat to ride, but I tried to throw in a few such changes in the course of the verses.
This is the first recording on which I've tried recorded separate drum tracks. I'm using the ns_kit7 samples, which are very flexible but completely dry (no compression or reverb or anything on there to start with) and with sample sets from different parts of the kits having widely varying dynamic ranges (as is, the snares seem relatively quiet while the cymbals can very very loud). After recording the song around a basic all-in stereo AIFF output from DB, I took the dbsong file and erased all but one part of the kit -- one of cymbals, hats, snare, toms, kick -- and saved it as a new file. I then reverted to the original dbsong file and did the same thing again and again for different parts of the kit. At the end of this somewhat tedious process, I could output different AIFFS for the different parts of the kit and import then separately into GarageBand, controlling the gain on individual tracks separately.
Since then, I've also tried to teach myself some of the rudiments of mixing, applying different compression and EQ to the different drum parts trying to get them sounding more "pro". :) I don't think I'm going to win any engineering Grammys ;) but I think I've been breaking a little personal ground with this, at least :)
PS Cool cover art... (and crows)
Courtesy of (and apologies to) late 19th/early 20th century English book illustrator Arthur Rackham who produced the original art for _Some British Ballads_ in 1919.
I took a scan, inverted the color pallette, twiddled the hue/ contrast, cropped it down to a square, and slapped the lettering on :)
The sampled crows are courtesy of a recording from Freesound: http:// freesound.iua.upf.edu/
Cheers, Carl
-- Carl Edlund Anderson http://www.carlaz.com/
Great new offerings from everyone. Enjoyed listening to Charlie's, Carl and Mike's new songs.
This is your best vocal to date Carl, great on the high notes.nice guitars too.. especially the wah lead and grungy bass - and of course Db track. I read on your site that
the music is largely based on a traditional Breton tune called "Alar'ch" ("The Swan");
Which is interesting as In today's Welsh 'Alarch' does also mean 'Swan! The Breton language and Welsh language are very strongly connected as I'm sure you know. I hadn't heard the tune before though.
Mike - Great song and nice production as usual. I know what you mean about the toms in nskit. These sound really good. Quite a dark sounding kit, but not a 'live' as Ludwig.
Charlie - your best to date too I think. Nice harmonies and guitar work.
I've been inspired to upload some of my 2007 recordings too - latterly using the Ludwig kit, but also Yamaha 9000
http://www.sionsmusic.cinnamondesign.co.uk/index.php? option=com_docman&task=cat_view&gid=29&Itemid=29
NB lots of the songs on the site are now broken links due to a change of server - but 2007 are all ok.
Finally - am working on a nice shiny new DB kit using free samples I found from http://www.warrenstreetstudio.com Samples were recorded on a Yamaha kit I think.
Should be ready soon!! Sounds really good so far, just got a few icons to go. Will let everyone know. :-)
Cheers
Sion --------------------------------- Sion Morris www.sionsmusic.cinnamondesign.co.uk
On 11 Jan 2008, at 06:44 , Sion Morris wrote:
This is your best vocal to date Carl, great on the high notes.
I've discovered this key is absolutely at the top of my range, but I'm now living in a relatively well-insulated (with regards to sound) apartment building with few neighbours around during the day, so I felt a little freer to belt it out, which I think helped me on those high notes (as does plenty of delay! :) Virtually all of the vox were done in one pass, intended as guide voicals, but I decided unlikely to better them and so left them. :)
Bizarrely, the hardest part was the quiet bit in the middle, probably because there was nothing to cover up the rough edges. ;) I did endless passes on different lines of the verse, tacking together the bits I hated least :) and pushing the track volumes around.
Gosh, I hate doing vocals! :) But I ain't got anyone else to do it for me. ;)
nice guitars too.. especially the wah lead and grungy bass - and of course Db track.
The mix remains a challenge that I'm trying to better and tweak even this morning. I suspect I'm still actually swamping the drums a bit with piles of guitar and grungy bass (I do _like_ grungy bass -- Bruce, Pappalardi, Entwhistle, a bit of Glover, Geezer, Lemmy, Allen Woody -- those are my boys on the bass :). But trying to adjust the levels, compression, and EQ on multi-track drums from scratch when you've never done it before is a _heck_ of a thing! And at the moment, I feel too lazy to tweak down the levels on everything non- drums ... ;)
At worst, I don't think it's _too_ bad :) but I've got plenty to learn ... either about mixing or that I should just go back to using a handful of multi-velocity samples that someone _else_ has already processed to sound good together ;)
I read on your site that
the music is largely based on a traditional Breton tune called "Alar'ch" ("The Swan");
Which is interesting as In today's Welsh 'Alarch' does also mean 'Swan! The Breton language and Welsh language are very strongly connected as I'm sure you know. I hadn't heard the tune before though.
Too many years in uni has given me a modest background in Celtic historical linguistics, even though I only recognize words here and there in the various languages and can't actually read or speak the simplest sentence! But it doesn't surprise me to hear the Welsh word for "swan" is much like the "Breton" one. :)
I should emphasize that I cannot at all claim credit for the pairing of words and tune. :) These were originally joined up by Scottish poet Maurice Blythman (aka “Thurso Berwick”) who set the words (only known sans tune) to the "Al Alar'ch" melody that he learned from a Breton folk musician named Zaig Montjarret (about whom I know nothing more!). I think the first recorded version came from Scottish singers Ray and Archie Fisher in the early '60s, and this inspired a 1970 version by Steeleye Span which I think has been the basis for most other people's versions since then. I think I get to claim the first heavy rock arrangement, though! ;)
Coincidentally, another pairing of a random Breton folk tune with originally unassociated lyrics is Martin Carthy's match-up of the "Ar Ch'akouz" ("The Leper") melody with English Civil War vintage anonymous political lyrics "Dominion of the Sword". I've mused for years over a rock version of that -- even attempted it with a band when still living in the UK -- but haven't settled on an approach. It'd be easier than "Twa Corbies" though, since it's pretty straight 4/4 (as opposed to the grab-bag of time signatures in "Twa Corbies"!)
Perhaps no one but the Bretons is quite sure how to pronounce the words in their folk songs, so they just cart away the melodies instead .... ;)
Mike - Great song and nice production as usual. I know what you mean about the toms in nskit. These sound really good. Quite a dark sounding kit, but not a 'live' as Ludwig.
The professionally crisp production on Mike's recordings never fails to blow me away, and his drum programming always nestles right in there with a transparently natural sound. Great stuff.
Charlie - your best to date too I think. Nice harmonies and guitar work.
Very fine! My ears may be off-base, but it actually gives me something of a late-Beatles John Lennonish vibe. You may have spent more time on the drum part that Ringo might have worried about, though :)
I've been inspired to upload some of my 2007 recordings too - latterly using the Ludwig kit, but also Yamaha 9000 http://www.sionsmusic.cinnamondesign.co.uk/index.php? option=com_docman&task=cat_view&gid=29&Itemid=29
Just downloaded the current version of "Cowboy Blue" -- good stuff! I had a bit of trouble getting my download to complete, so perhaps this is just some errors in my copy of the file, but I get sporadic bursts of static in the right channel after about 1:40, particularly in the following 30 o 40 seconds before the fade-out starts. Anyway, yes, I hear the Hey-Joeish thing -- you just need to pan the guitar lead more wildly around the stereo spectrum for that Jimi vibe. :) Some other early 70s-ish rootsy vibes, too ... maybe something Eaglesy or CSNYish ...
I've probably had too much coffee ;)
I see from your site you've got the "Tone Heaven 2" patches. I'll have to look into those, having got "Tone Heaven 1" and having used it on a few recordings. You can never have too many presets to poke around with :)
Finally - am working on a nice shiny new DB kit using free samples I found from http://www.warrenstreetstudio.com Samples were recorded on a Yamaha kit I think. Should be ready soon!! Sounds really good so far, just got a few icons to go. Will let everyone know. :-)
Groovy! :)
Cheers, Carl
-- Carl Edlund Anderson http://www.carlaz.com/
At worst, I don't think it's _too_ bad :) but I've got plenty to learn ... either about mixing or that I should just go back to using a handful of multi-velocity samples that someone _else_ has already processed to sound good together ;)
Think you're a bit harsh on yourself - to my ears Twa Corbies is very well produced, tightly played and as Charlie said - it passes the db listening test - having said that it always helps to be slightly dissatisfied with ones own results I think. Keeps the creative juices flowing!
Just downloaded the current version of "Cowboy Blue" -- good stuff! I had a bit of trouble getting my download to complete, so perhaps this is just some errors in my copy of the file, but I get sporadic bursts of static in the right channel after about 1:40, particularly in the following 30 o 40 seconds before the fade-out starts.
Thanks for taking a listen to Cowboy Blue. Sadly the static crackle is not an upload problem. Its something that started happening a few months back when exporting to AIFF from DB, and also when locking a track in GB (and I think sending a song to iTunes). I think it must be something to do with my macs audio settings and processor speed (v slow Graphite G4). It often disappears with a re-export - must get round to that.
On a related issue - the new db build, I have to report it not working for me in Tiger. I've tried it on two G4 Macs, on the first there is no sound at any time incl playback and drum selection. This is true for the kit editor too. On my other (G4-Quicksilver), there is sound, but its scrambled 'white noise' . The duration is ok and the amplitude (it decays), but something is scrambling it up. If you import into the drum editor, you can see a scrambled waveform. I guess this is something to do with the framework you mentioned Ben.
Too many years in uni has given me a modest background in Celtic historical linguistics, even though I only recognize words here and there in the various languages and can't actually read or speak the simplest sentence! But it doesn't surprise me to hear the Welsh word for "swan" is much like the "Breton" one. :)
I think Breton Cornish and Welsh derive from a similar place. A lot of words sound similar especially place names - but spellings of these are often very different. Lots of Zs and Ks in Breton i seem to remember.
Coincidentally, another pairing of a random Breton folk tune with originally unassociated lyrics is Martin Carthy's match-up of the "Ar Ch'akouz" ("The Leper") melody with English Civil War vintage anonymous political lyrics "Dominion of the Sword". I've mused for years over a rock version of that -- even attempted it with a band when still living in the UK -- but haven't settled on an approach. It'd be easier than "Twa Corbies" though, since it's pretty straight 4/4 (as opposed to the grab-bag of time signatures in "Twa Corbies"!)
Look forward to that one
Cheers
Sion
On 11 Jan 2008, at 14:22 , Sion Morris wrote:
having said that it always helps to be slightly dissatisfied with ones own results I think. Keeps the creative juices flowing!
Definitely!
Thanks for taking a listen to Cowboy Blue. Sadly the static crackle is not an upload problem. Its something that started happening a few months back when exporting to AIFF from DB, and also when locking a track in GB (and I think sending a song to iTunes). I think it must be something to do with my macs audio settings and processor speed (v slow Graphite G4).
And I thought my ol' G4 iBook was getting creaky! I upgraded to a Intel Mac Mini a few months ago, and it definitely runs GarageBand much more happily. And that's just as well, since in prep for moving I had to sell my amps and my ol' Roland DAW, so GarageBand is my whole studio at the moment.
On a related issue - the new db build, I have to report it not working for me in Tiger. I've tried it on two G4 Macs, on the first there is no sound at any time incl playback and drum selection. This is true for the kit editor too. On my other (G4-Quicksilver), there is sound, but its scrambled 'white noise' . The duration is ok and the amplitude (it decays), but something is scrambling it up. If you import into the drum editor, you can see a scrambled waveform. I guess this is something to do with the framework you mentioned Ben.
Grimness! I hadn't tried using that latest build in anger yet, so I hadn't encountered this. Sounds like I shall stick with the previous beta at the moment. (Might be mid-2008 before I jump to Leopard -- I'm not sure what it sells for locally, but well-marked up over the US prices I've no doubt!)
I think Breton Cornish and Welsh derive from a similar place. A lot of words sound similar especially place names - but spellings of these are often very different. Lots of Zs and Ks in Breton i seem to remember.
Breton is a bit closer to mostly-extinct-slightly-resurrected Cornish. They split from the ancestor of Welsh around the early 6th century AD, and from each other around perhaps the 9th century. There are several orthographic systems for writing Breton, but yes :) it's awash in k, z, and c'h. (I realize I spelt "swan" wrong -- it should be "alarc'h" or "an alarc'h" for "the swan" as the tune title should properly be!)
But I digress! (as I frequently do ;)
Cheers, Carl
-- Carl Edlund Anderson http://www.carlaz.com/
On Jan 11, 2008, at 6:44 AM, Sion Morris wrote:
Mike - Great song and nice production as usual. I know what you mean about the toms in nskit. These sound really good. Quite a dark sounding kit, but not a 'live' as Ludwig.
Hey, thanks! I like the Sonor kit, and you'll probably be hearing more from it. I do like the sounds in the earlier version of nskit samples. The version 7 added some interesting snare strikes, but I'll take a solid, all-around kit over odd or exotic sounds anyday. I will be using the first generation nskit quite a bit more than version 7.
You're building a kit now, eh? That's just what I need. More sounds to obsess over.
On 11/01/2008, at 8:44 PM, Sion Morris wrote:
I've been inspired to upload some of my 2007 recordings too - latterly using the Ludwig kit, but also Yamaha 9000
http://www.sionsmusic.cinnamondesign.co.uk/index.php? option=com_docman&task=cat_view&gid=29&Itemid=29
Sion,
Sounds good (Cowboy Blue) - another example of DB sitting nicely in a mix - I'm a fan of the Yamaha set - it gives the song a 70's feel as mentioned by Carl
Finally - am working on a nice shiny new DB kit using free samples I found from http://www.warrenstreetstudio.com Samples were recorded on a Yamaha kit I think.
Should be ready soon!! Sounds really good so far, just got a few icons to go. Will let everyone know. :-)
Excellent news - I downloaded the zip file - the sounds seem pretty good to these ears when heard in isolation.
Cheers
Sion
Sion Morris www.sionsmusic.cinnamondesign.co.uk
Cheers
Charlie
Sounds good (Cowboy Blue) - another example of DB sitting nicely in a mix - I'm a fan of the Yamaha set - it gives the song a 70's feel as mentioned by Carl
Cheers Charlie. The new 'Warren Street' kit is also a Yamaha. Just done a couple of sample drum tracks and am really pleased with the sound I'm getting. Just the hi-hat icons to do on it. Then will post up.
Finally - am working on a nice shiny new DB kit using free samples I found from http://www.warrenstreetstudio.com Samples were recorded on a Yamaha kit I think.
Should be ready soon!! Sounds really good so far, just got a few icons to go. Will let everyone know. :-)
Excellent news - I downloaded the zip file - the sounds seem pretty good to these ears when heard in isolation.
------------------------------------------ Sion Morris www.sionsmusic.cinnamondesign.co.uk
I finally listened to this, Carl. I think it's cool. I don't get a lot of exposure to Celtic influences, or whatever that is. I think your vocals are stronger as the song progresses. The beginning seems a little tentative, maybe. I like some of the bass runs near the end.
On Dec 21, 2007, at 11:21 PM, Carl Edlund Anderson wrote:
On 21 Dec 2007, at 08:53 , Carl Edlund Anderson wrote:
As it happens, just this past week I've just pulled out Doggiebox for for the first time in a awhile, the first recording project I've done since a recent transatlantic move, a kind of "folk metal" version of ye olde Scottish Border ballad "Twa Corbies".
And here's a link to the first pass at this, replete with cheezy samples and wind, rain, and (of course) crows:
http://www.carlaz.com/music/Twa_Corbies.mp3
It's "folk", Jim, but not as we know it .... ;)
All drums by Doggiebox, of course! :)
Cheers, Carl
-- Carl Edlund Anderson http://www.carlaz.com/
Zygoat Doggiebox discussion list - <http://www.doggiebox.com> To unsubscribe, view archives or change your options: <http://lists.zygoat.ca/mailman/listinfo/doggiebox>
On 11 Jan 2008, at 18:45 , Michael Carlyle wrote:
I finally listened to this, Carl. I think it's cool. I don't get a lot of exposure to Celtic influences, or whatever that is.
:D More "whatever", I think! It's folk, Jim, but not as we know it ... ;)
I think your vocals are stronger as the song progresses. The beginning seems a little tentative, maybe.
An accurate reflection of the recording process, I fear! I started out intending to sing the song an octave lower, but after the first verse decided I hated that vibe, went back, and ran through the whole thing pretty much as you hear. And that's a _little_ higher than I really ought to go. ;) So it surely _was_ a bit tentative at first.
I might try re-dubbing the vox sometime, but only when the flat is _firmly_ deserted ;)
Cheers, Carl
-- Carl Edlund Anderson http://www.carlaz.com/
On 18/12/2007, at 11:20 AM, Ben Kennedy wrote:
Hey folks,
Here's a Christmas- (or other choice holiday-) season gift for you all, at long last!
Changes in this build (1F2) since version 1.3.1 (1E15):
-- Ben Kennedy (chief magician) zygoat creative technical services http://www.zygoat.ca
Zygoat Doggiebox discussion list - <http://www.doggiebox.com> To unsubscribe, view archives or change your options: <http://lists.zygoat.ca/mailman/listinfo/doggiebox>
Good news that the pooch is alive- it inspired me to at least half finish a project I started a while ago.
I'm not sure who sent it to the group, but ages ago, I downloaded a DB file "Funky Break Demo" that was posted here.
I liked to so much I instantly stole it and used it as a base for a song I had just started writing with a friend.
I've posted a first edition of it here: http://thelonelysea.googlepages.com/home
The Song is: I Wonder If She's Thinking Of Me Tonight. - it's still a bit rough and needs some serious re-recording of some parts - as you'll hear, and I esp need to re-do the drums a bit so they match the song a bit more - but that's what you get when you steal stuff outright
The other bit of inspiration was I bought a Lap Steel guitar at the pre-Xmas sales. It cost all of $100 - it's no beauty and it has a thumb mark on it, but at $100, my Scottish blood couldn't resist the bargain. I added a part to the song
If anyone recognises the drum part, give me a hoy (esp if I'm breaking copyright....) As I recall, there was a song that went with it - I've updated my Mac since then and don't have the details of who did the actual work...
Cheers
Charlie